And Here's A World Of Beauty

"When Death Comes." By Mary Oliver, New and Selected Poems. Beacon Press, 1992. 10-11.


When death comes
like the hungry bear in autumn;
when death comes and takes all the bright coins from his purse

to buy me, and snaps the purse shut;
when death comes
like the measle-pox;

when death comes
like an iceberg between the shoulder-blades,

I want to step through the door full of curiosity, wondering
what is it going to be like, that cottage of darkness?

And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,

and I think of each life as a flower, as common
as a field daisy, and as singular,

and each name a comfortable music in the mouth,
tending, as all music does, toward silence,

and each body a lion of courage, and something
precious to the earth.

WHen it's over, I want to say: all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.

When it's over, I don't want to wonder
if I have made of my life something particular, and real.
I don't want to find myself sighing and frightened,
or full of argument.

I don't want to end up simply having visited the world.


"Goldenrod." Oliver, 17-18.


On roadsides,
    in fall fields,
        in rumpy bunches,
            saffron and orange and pale gold,

in little towers,
    soft as mash,
        sneeze-bringers and seed-bearers,
            full of bees and yellow beads and perfect flowerlets

and orange butterflies.
    I don't suppose
        much notice comes of it, except for honey,
            and how it heartens the heart with its

blank blaze.
    I don't suppose anything loves it except, perhaps,
        the rocky voids
            filled by its dumb dazzle.

For myself,
    I was just passing by, when the wind flared
         and the blossoms rustled,
             and the glittering pandemonium

leaned on me.
    I was just minding my own business
        when I found myself on their straw hillsides,
            citron and butter-colored,

and I was happy, and why not?
    Are not the difficult labors of our lives
        full of dark hours?
            And what has consciousness come to anyway, so far,

that is better than these light-filled bodies?
    All day
        on their airy backbones
            they toss in the wind,

they bend as though it was natural and godly to bend,
    they rise in a stiff sweetness,
        in the pure peace of giving
            one's gold away.